So here we have an earnest, not-tongue-in-cheek document of hyper-reality in action. This is the parody-fodder James Ferraro drools over, if you could call what JF does parody... But this thing is of a completely separate mindset than the "Vaporwave" phenomenon, I think... Ultimately with out the ironic distance of the cassette-bound Neo-New Age set. Unencumbered by "Everything Time's" self awareness-worm hole. It is unafraid to not make a joke, and that is laudable.This CD represents a live concert event performed for the opening ceremonies of the Summer Festival 2007 at Cathedral, a part of the Isle of Wyrms continent in Second Life.
The liners go on to state that the music is performed by Tony Gerber (profiled extensively here,) and features the "Native American flute".
An ancient instrument, thoroughly decontextualized by the virtual platform of hyper-modern role-play. In Second Life, authenticity absolutely just doesn't exist. It's a hang-up we can live with out.
The flute is swathed in reverb and not dissimilar to the flutes you hear while wandering around Gatlinburg-esque mountain-tourism centers, played by real mostly-Natives hawking cheaply produced CDs, paintings of eagles, leather vests and the like.
The flute is surrounded by arpegiating synths and effect pedal-coddled, often Ebow-ed guitars. The effect is ambient electronic/New Age music not unlike that of Nashville out scene-mainstays 84001.
This is sleepy, meditational and/or background music for the online presence. Office-working suburbanite avant garde. It's heart-felt experimentalism within the rigid constructs of a non-present other-world.
Low-res artwork on cardstock, factory printed disc. I can't quite recommend the music, but it's an interesting concept.